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Queering The Screen: TANGERINE
SYNOPSIS
It's Christmas Eve in Tinseltown and Sin-Dee (Kitana Kiki Rodriguez) is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the sex worker and her best friend, Alexandra (Mya Taylor), embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles.
Stick around for a post-film discussion after the screening.
ABOUT QUEERING THE SCREEN
Based in TTO’s Queer Republic Programming and in Coolidge Corners Signature Programming -- QUEERING THE SCREEN is a vital part of TTO’s next lifecycle and mission, presenting liberating art by, for, and about queer and trans people of color that transcends artistic boundaries, celebrates cultural abundance, and dismantles oppression. In partnership with The Coolidge Corner Theatre, The Theater Offensive seeks to display queer media, focusing primarily on explicit representation of Queer & Trans characters and communities in cinema, theatrical production recordings, and media performance. The themes of these films will include and revolve around The Theater Offensive’s Queer Liberatory Aesthetics, as the core of these aesthetics in queer art are life-affirming. Through this series and workshops accompanying we will analyze the contested relationships between spectator and text, identity and commodity, realism and fantasy, activism and entertainment, desire and politics.
Queer Republic: Queering The Screen Series’ Core Objectives:
To AMPLIFY BIPOC queer, trans, nonbinary, two-spirit, intersex, gender fluid, and gender expansive artists and all their intersections.
To Entertain the Greater Boston Area through film and recorded transmedia materials.
To INFORM the Greater Boston Area of LGBTQ+ history and critical queer dialogue through film culture.
To Engage different communities in film culture and discourse no matter what the difference, boundary, or niche.
To HONOR & SUPPORT artists from diverse backgrounds who are redefining the act of making cinema, theatrical production recordings, and media performance in the national arts sector